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Rise of the Eldrazi – Transcendent Master

April 7, 2010

Transcendent Master: an affront to everything that is good and true.

Once upon a time there was a superb Constructed format. Some gripers complained that it was overly dominated by Umezawa’s Jitte, but it wasn’t. Teddy Card Game actually wrote an article claiming that Gifts Ungiven variants were more dominating in this format than Affinity decks had been [in Mirrodin Block Constructed] a year prior. Inconceivable!

Anyway… a superb Constructed format, trust me.

There was a controlling combo deck in Gifts Ungiven… all positional advantage and card drawing that could lock the game with infinite defense or ending the game with a stack of Kokushos.

There was a control deck. Mono-Blue control with All-Star threats like Meloku and Keiga. This deck could draw up with Jushi Apprentice and hold off the Gifts Ungiven deck, essentially forever.

And there were beatdown decks. Mono-Black. Mono-White. Some even tried for Mono-Red.

The format had diversity in spades, but it was laced together by Umezawa’s Jitte. Jitte was a glue that made White Weenie playable… saw little play in Blue, and was irrelevant to Gifts.

As you most likely know if you are a longtime reader, I was able to solve that format with two weeks to go. The Critical Mass deck, playing a “critical” set of Gnarled Masses was the ultimate solution to the format. It had the counterspells of Mono-Blue, but vastly superior tempo; Sakura-Tribe Elder in game one, and a “surprise!” set of Jushi Apprentices and Threads of Disloyalty (for their Jushi Apprentices) after boards.

Its counterspells allowed Critical Mass to dominate Gifts Ungiven. When the Apprentices came in after sideboarding… Honestly, I don’t think I ever lost a single sideboarded game in testing the matchup was so strong.

The “critical”-ness of the Gnarled Masses was mostly for White Weenie. White Weenie had 2/2 creatures at every drop.

  1. Isamaru, Hound of Konda
  2. Hand of Honor and Samurai of the Pale Curtain
  3. Kitsune Blademaster
  4. Hokori, Dust Drinker

The Critical Mass deck had by far the superior late game. Umezawa’s Jittes were a wash; U/G arguably had the advantage because Kodama’s Reach and Sakura-Tribe Elder could help thin the deck and increase the instances of their appearing. The end game was a murder of Legendary creatures… Kodama of the North Tree in addition to the Blue beaters.

The problem was getting there.

If the White Weenie deck had a tempo advantage going into turn four, ka-pow! Hokori, Dust Drinker!

U/G’s spells were very expensive, so the Winter Orb-like Hokori could turn the deck to molasses. The 2/2s would hammer in until it was over.

Critical Mass’s solution took away the tempo advantage going into turn four.

Was Gnarled Mass better than the White Weenie equivalents?

Absolutely not!

But once they were both in play, the cards could be more-or-less the same (with the Green one just costing more). A board at parity would not necessarily be a good place for White Weenie to tap out four with a walking Winter Orb.

Time.

Time TIME TIME.

That was what U/G needed — even just a couple of turns — to get its Legends online.

At the end of the day, Gnarled Mass — a mere 3/3 for three mana — got the job done. I won the last PTQ in NYC, and a week later Gerard Fabiano made Top 8 of the last Grand Prix with Critical Mass.

So why is Transcendent Master the enemy of all that is good?

Transcendent Master

Simple.

I just don’t want to see White Weenie with a 3/3 for three :)

How un-special is that? How un-special does that make Gnarled Mass?

The fact of the matter is that Transcendent Master is not just a 3/3 for three mana.

At Level 6, it is a medium-gigantic 6/6 with Lifelink.

Is that a good deal?

We are talking about nine mana for a 6/6 Lifelink… You would basically never play that at retail, but the 3/3 for three-ness of the card at the baseline softens the impact of the absolute cost. A great deal? No. But serviceable due to the fact that you can tap out on turn three, cross your fingers, and sometimes have an impressive 6/6 on turn five.

How about the final version?

Fifteen mana for a 9/9 indestructible Lifelink? Unlike on Figure of Destiny update Kargan Dragonlord, the math does not become more favorable as time progresses. Again, not a tremendous deal… But the core-3/3 for three pat makes Transcendent Master good enough to ruin without help. The biggest mode — and it is pretty big let’s be honest — might not be the selling point, but it is still a useful feature that will come up sometimes.

You know, to help bury all memory of truth, goodness, and light.

Snap Judgment Rating – Role Player

LOVE
MIKE

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Recommended: Wolves at the Gate (Buffy the Vampire Slayer Season 8, Volume 3)

May 2, 2009

By popular demand… The long awaited review of Wolves at the Gate (Buffy the Vampire Slayer Season 8, Volume 3)!

A lot of people have been asking me about “that Buffy the Vampire Slayer graphic novel [I] talked about on the Top 8 Magic Podcast.” Most of them were pretty nice about it (even if I didn’t answer them in anything resembling a timely fashion). Some of them, though, like Tim Gillam…

 

Let’s be honest. I had it coming from Tim after that Consuming Vortex slow roll (though to be honest it never registered to me that I was slow rolling him… I just didn’t want to screw up). Well here it is!

… The name of the aforementioned Buffy the Vampire Slayer graphic novel is Wolves at the Gate (Buffy the Vampire Slayer Season Eight, Volume 3).

Wolves at the Gate is actually the third “Season Eight” tale (the show concluded after seven seasons, but the story continues!); the first arc was written by Buffy creator Joss Whedon, number two focused on Faith and was written by my old pal Brian K. Vaughan, and Wolves at the Gate comes to us from Lost / Alias / Cloverfield / Angel / and of course Buffy writer Drew Goddard.

As I said in the podcast, Wolves at the Gate is one of the ten best graphic novels I have ever read. No, you don’t need to know very much about Buffy’s universe to enjoy this story. All you really need to know is that there is a super powered girl named Buffy who, you know, slays vampires and that she is currently training a stack of other super powered girls to fight the good fight.

The other major character in this story is Dracula, the vampire of legend, who opposed Buffy at one point on her television program but fights on the side of the slayers in Wolves at the Gate thanks to his friendship with Buffy’s lieutenant Xander.

Dracula is scary and capable… and hilariously racist in this volume.

I think that one of the things that I really liked about Wolves at the Gate is how successfully Drew Goddard maintained the witty banter of the television Buffy in his storytelling. Here is an example of racist Dracula meeting up with his “manservant” Xander before the good guys go to war:

<Dracula> You’ve lost weight.

<Xander> Can you tell? I’ve been trying to exercise more.

<Dracula> Yes. It suits you.

<Xander> Thanks you look good too

<Dracula> Oh, you’re just saying that because I complimented you.

<Xander> No — I’m not! I promise.

<Dracula> I can’t see myself in mirrors. I fear my best days are behind me.

<Xander> No — you’re more handsome than ever.

I can’t see myself in mirrors. Are you kidding me? The writing is great.

One of the principles that I have adopted into my literature analysis algorithm over about the last two or three years (since reading Jonathan Strange & Mr. Norrell) is whether or not a writer breaks your heart at any point. So books like Anathem, Zodiac, and countless others that successfully break your heart (which, remember, requires you to fall in love with one of the characters) all get points under the new system.

Drew crushes your poor heart like an ant underneat a toddler’s filthy sneaker about 4/5 of the way into the story. The moment is perfectly perfect, appropriate, all of it. Just great.

Oh yeah. There is one more thing that makes this book really Really REALLY worth buying, but I am not going to tell you unless you scroll way down.

Trust me you probably want to buy Wolves at the Gate without my telling you this crowd pleasing crowd pleaser. Here let me interrupt you with a cleverly disguised affiliate link so that you don’t spoil it for yourself.

I wasn’t kidding.

…


 

…

Okay!

Buffy joins the friends of Sappho and hooks up with a fine young Japanese slayer!

I warned you!

Now are you convinced?

Wolves at the Gate really is one of the ten best graphic stories I’ve ever read. I don’t think you need to be a fan of Miss Vampire Slayer to love this story, just great dialogue, wonderful storytelling, Slayer-on-Slayer shenanigans, and, you know, racist Dracula.

LOVE
MIKE

Wolves at the Gate (Buffy the Vampire Slayer Season Eight, Volume 3)

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